Deutsche Börse Photography Foundation presents the exhibition “Look at Us. 25 Years of Art Collection Deutsche Börse”

From 10 October 2024, the Deutsche Börse Photography Foundation will present the exhibition “Look at Us. 25 Years of Art Collection Deutsche Börse”. The collection of contemporary photography was established in 1999, it currently comprises more than 2,300 works by around 160 artists from 35 nations. Comprehensively showcasing new acquisitions from the last two years, “Look at Us” illustrates the ways in which these works enrich the body of the collection and enter into a dialogue with previously acquired groups of works. In reference to the guiding principles of the anniversary year – cooperation, dialogue and diversity – multifaceted visual languages and narratives by both emerging and established artists join forces in the exhibition. Each artistic position offers its own perspective on the central theme of the Art Collection Deutsche Börse, the “conditio humana” – the exploration of the conditions of human existence and its position in the world. The artists investigate how the medium responds to questions of identity and community – ranging from personal experiences as well as cultural and historical contexts to questions of belonging and social inequality. Furthermore, they address the complex relationship between humans and nature, be it in the form of human interventions in natural habitats or the reciprocal impact of urban landscapes on individuals and the community.

“Look at Us. 25 Years of Art Collection Deutsche Börse” presents more than 120 photographs by 22 international artists: Sabiha Çimen, Lynne Cohen, Philip-Lorca diCorcia, Mitch Epstein, Lucas Foglia, Samuel Fosso, Paul Graham, Marvel Harris, Candida Höfer, Lebohang Kganye, Hsu-Pin Lee, Helen Levitt, Dana Lixenberg, Daniel Jack Lyons, Sabelo Mlangeni, Gordon Parks, Inge Rambow, Thomas Ruff, Aida Silvestri, Chi Yin Sim, Vanessa Winship and Tobias Zielony. 

The themes of the exhibition
The artists explore how photography supports the questioning and manifestation of identities in different yet always highly personal and therefore touching ways. Whether it is in the depiction of the physical and psychological challenges of his gender transformation, as in the case of the young artist Marvel Harris, or in the photographic dialogue that Lebohang Kganye seeks with her deceased mother to explore her own identity in post-apartheid South Africa. In her combination of images and text, Eritrean-born artist Aida Silvestri conveys the ordeal of refugees from her home country on their way to England in an intense way, though keeping their anonymity. Samuel Fosso himself is the protagonist of his works, slipping into various roles of important African and Northern American supporters of the Black population in their struggle for equal rights and independence on both continents. While Thomas Ruff and Philip-Lorca diCorcia both address the limits of the photographic portrait when capturing individuals, they do so in different ways: diCorcia photographs passers-by on the streets of New York City, unnoticed and from far away, while Ruff’s portraits show his protagonists at close range, laying bare every detail, pore and wrinkle. In both cases, however, the portraits provide no information about the subjects’ origins, emotional world, or lives; they remain on the surface. 

Often, the questioning of one’s own identity is closely linked to a reflection of communal belonging. Daniel Jack Lyons’ works deal with this issue, showing the lives of young people in the heart of Brazil’s Amazon region. As members of the local trans and queer community, they explore their own identity in the context of origin and tradition. Sabiha Çimen’s works provide a glimpse into everyday life within other, less accessible communities: those of Koran girls’ schools in Turkey. Her photographs convey an intimate impression of what it means to grow up in a strictly religious cosmos. Through their sensitive and respectful approach, both artists succeed in creating visibility for communities facing marginalisation. This also applies to the works of Sabelo Mlangeni, who portrays members of the LGBTQIA+ community in the cities and rural areas of South Africa and paints a cheerful picture of queer life. The persistent restrictions imposed on the Black population in the US in the 1950s and the tense relationship between ethnicity, living space and social participation are the subjects of the landscape photographs and portraits by Gordon Parks. Dana Lixenberg’s work shows that these issues remain part of everyday life for many Black people in the US to this day. In a project spanning 20 years, she documents the daily challenges, as well as the social cohesion among residents of a Los Angeles social housing project.

Other artists represented in the exhibition approach the influence of the urban environment on coexistence, everyday life, and peoples’ habits from different angles. Paul Graham captures daily rituals in the isolated US suburbs of the early 21st century, while Helen Levitt focuses on the lively routines of children playing in the urban canyons of New York City in the 1940s. The identity-forming aspect of urban space is also illustrated in the works of Tobias Zielony, where young adults meet in car parks or petrol stations and pose for his camera individually or in groups. Mitch Epstein found his subjects on various road trips through the US. His works show popular leisure activities of the 1970s and 1980s in places that seem rather unusual and unattractive from today’s perspective. The interplay of evolving nature, the urban landscape and its individuals is evident in Vanessa Winship’s photographs, weaving together images of streets, views of buildings, striking portraits, and close-ups of nature into an associative narrative. Finally, Candida Höfer and Lynne Cohen offer different perspectives on public and semi-public spaces as a backdrop for human interaction, even though both artists’ works are always devoid of people. While Höfer’s photographs of reading rooms or corridors in libraries and schools reflect their use and cultural significance for society, the effect of Cohen’s interior shots is bizarre, not least due to the total absence of human interaction. 

The profound and ambivalent relationship between man and nature is the subject of Lucas Foglia’s photographs. Capturing the lives of communities in the most remote areas of the western US, they highlight the rapid changes in the use of the region’s natural resources. Similarly, Chi Yin Sim illustrates the far-reaching consequences of human intervention in nature by showing the uncontrolled extraction and displacement of the natural resource sand in Singapore, Malaysia and China. Inge Rambow also visualises the traces of industrial intervention in nature, and in doing so captures an almost deceptive beauty. It is only at second glance that her pointed ridges, rugged canyons, and calm waters reveal themselves to be abandoned surface coal mining areas in former East Germany. Civilisation and the forces of nature impressively clash in Hsu Pin Lee’s work: after a powerful typhoon had swept through his native Taiwan, the artist captured the remains of destroyed houses and streets, set against an awe-inspiring landscape.  

“Look at Us. 25 Years of Art Collection Deutsche Börse” is curated by Anne-Marie Beckmann, Director of the Photography Foundation, in collaboration with British curator Mariama Attah. Attah has been advising the Photography Foundation as Associate Curator on the further development of its collection since early 2023 as part of a two-year collaboration. 

The exhibition programme
As part of the “Open Saturday” on 30 November 2024, the exhibition curators, Anne-Marie Beckmann and Mariama Attah, will guide visitors through the show. They will discuss the fresh perspectives and narratives which the recent acquisitions contribute to the Art Collection Deutsche Börse and talk about how they enter into a dialogue with groups of works that are already part of the collection. The guided tours will be held in English at 11.30 a.m. and 2.00 p.m. Mariama Attah is a curator of contemporary photography, author and lecturer. She is particularly interested in the significance of photography in shaping a diverse visual cultural history, with a focus on artistic positions depicting and broaching the subjects of ethnic, gender, religious and social diversity.  

Notes to Editors:
A press preview for the exhibition will take place on Tuesday, 8 October 2024, at 11 a.m. in The Cube, Mergenthalerallee 61, in Eschborn. Anne-Marie Beckmann, Director of the Deutsche Börse Photography Foundation and curator of the exhibition, and co-curator Mariama Attah will guide through the presentation. Additionally, the artists Lebohang Kganye, Dana Lixenberg, Aida Silvestri and Chi Yin Sim will be present. They will give insights into their respective artistic projects and be available for interviews. Please register by 4 October via e-mail to isabelle.hammer@deutsche-boerse.com. 

You can find an overview of the press images for the exhibition “Look at Us. 25 Years of Art Collection Deutsche Börse” here. We will be happy to send you the press images in print quality upon request.

Information for Visitors: 
The exhibition is on display until 9 March 2025 in The Cube, the headquarters of Deutsche Börse in Eschborn. Admission is free. Visiting is possible as part of a guided tour with prior registration or on the “Open Saturdays” from 11 a.m. to 4 p.m. without registration. The first “Open Saturday” of the exhibition will take place on 30 November 2024, further dates will follow. Registration for guided tours is possible via the Photography Foundation website: www.deutscheboersephotographyfoundation.org

Special appointments for individual groups (up to 25 persons) can be arranged by e-mail: foundation@deutsche-boerse.com.  

Address:
The Cube
Mergenthalerallee 61
65760 Eschborn

Media Contact:
Isabelle Hammer
media.foundation@deutsche-boerse.com
Tel. +49 69 21117014

About the Deutsche Börse Photography Foundation 
The Deutsche Börse Photography Foundation is a non-profit organisation based in Frankfurt/Main, dedicated to collecting, exhibiting and promoting contemporary photography. The Foundation is responsible for the development and presentation of the Art Collection Deutsche Börse, which now comprises over 2,300 photographic works by around 160 artists from 35 nations. It shows several public exhibitions a year in its exhibition space in Eschborn near Frankfurt am Main. The Foundation supports young artists through awards, scholarships or the annual talent programme of the Fotografiemuseum Amsterdam Foam. Together with the Photographers’ Gallery in London, it awards the renowned Deutsche Börse Photography Foundation Prize every year. The foundation also works on exhibitions with international museums and institutions, as well as creating platforms for academic dialogue and research on photography.
www.deutscheboersephotographyfoundation.org

About the Art Collection Deutsche Börse 
The Art Collection Deutsche Börse is among the most important collections of international contemporary photography. Established in 1999, the collection now comprises more than 2,300 works by around 160 artists from 33 countries. The Art Collection is dedicated to the central themes of photography since the Mid-20th century. The visual languages and photographic approaches represented in the collection are as diverse as the background, age, or artistic method of the photographers, ranging from documentary to conceptual approaches. Each position offers its own perspective on the collection’s central theme, the “conditio humana”, the exploration of the conditions of human existence and its position in the world.

Media partner for the anniversary programme of the Art Collection Deutsche Börse is: 
monopol | Magazin für Kunst und Leben